The ultra-wide Canon RF 24mm f/1.4L VCM hybrid lens completes its trio of super-fast prime lenses for stills and video ...

The RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are part of Canon's new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.

The 24mm is a lens that performs very well when stopped down, let down a little by being relatively soft at wider apertures, but nonetheless, a lens that is capable of producing high-quality results.

The RF 24mm F1.4L VCM delivers smooth, low-light performance with minimal focus breathing, designed for hybrid shooting needs.

They join two existing lenses in the lineup, the RF 35mm f/1.4L VCM and RF 24-105mm f/2.8L IS USM Z, along with a brand new ...

The taller the column, the better the lens performance. CA (Chromatic Aberration) is measured with any in-camera corrections switched off, as far as we can know anyway. Centrally there is no ...

The new lenses will consist of a 10~17mm, f/3.5-4.5 fish-eye zoom, a 12~24mm, f/4 ultra-wide zoom, a 16~45mm, f/4 wide zoom, a 35mm, f/2 fixed focal length and a 100mm, f/2.8 macro lens.

Canon has announced three new additions to its RF series of hybrid lenses.

Canon has announced four new lenses for its mirrorless cameras, three of which are touted 'hybrid', meaning that they are designed for video and still creators. They are the RF 24mm F1.4L VCM, RF 50mm ...

24mm 60mm 4x Digital Zoom The Panasonic Lumix DMC-LX3's Leica lens covers the equivalent of a 24-60mm zoom on a 35mm camera, which is slightly short among consumer digital cameras, though you do ...

A new rumor suggests Sony could be planning to launch its first-ever pancake lens for full-frame Sony E-mount cameras ...