The ultra-wide Canon RF 24mm f/1.4L VCM hybrid lens completes its trio of super-fast prime lenses for stills and video ...

The RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are part of Canon's new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.

They join two existing lenses in the lineup, the RF 35mm f/1.4L VCM and RF 24-105mm f/2.8L IS USM Z, along with a brand new ...

The 24mm is a lens that performs very well when stopped down, let down a little by being relatively soft at wider apertures, but nonetheless, a lens that is capable of producing high-quality results.

To get the perfect shot of the northern lights, you're going to have to ditch your digital camera's automated settings.

Correction in camera or in software can be used to minimise this. Chromatic aberration (CA) is the lens' inability to focus on the sensor or film all colours of visible light at the same point.

The RF 24mm F1.4L VCM delivers smooth, low-light performance with minimal focus breathing, designed for hybrid shooting needs.

Canon is presenting a colorful bouquet of new RF lenses, including two fixed focal lengths with 24 and 50 millimeters, a ...

Focal length is used to determine your lens's angle of view ... Photography cheat sheet: Focal lengths explained Focal lengths below 24mm are referred to as ultra-wide-angle.

The new lenses will consist of a 10~17mm, f/3.5-4.5 fish-eye zoom, a 12~24mm, f/4 ultra-wide zoom ... For added convenience the GX-10 can be used with the all Pentax KAF2, KAF and KA mount ...

Canon adds three RF lenses to its EOS R system, expanding its hybrid range even further for video and stills creators ...

Canon has announced three new additions to its RF series of hybrid lenses.