However, mitigating this is the fact that most of the other marques have settled for f/4 lenses in similar ranges, rather than f/2.8 ones as with the Canon. That extra stop of speed costs.

Canon's newest, non-extending 70-200mm F2.8 L zoom for RF-mount includes features aimed at both photo and video shooters. It also works with Canon's RF-mount 1.4x and 2x teleconverters.

Were you hoping that Canon would make black teleconverters, to match its new black 70-200mm f/2.8? Sorry,you're out of luck ...

Canon is presenting a colorful bouquet of new RF lenses, including two fixed focal lengths with 24 and 50 millimeters, a ...

Canon adds three RF lenses to its EOS R system, expanding its hybrid range even further for video and stills creators ...

The Canon RF 70-200mm f/2.8L IS USM Z is Canon's third 70-200mm lens, its second Z lens, and its first BLACK trinity lens!

They join two existing lenses in the lineup, the RF 35mm f/1.4L VCM and RF 24-105mm f/2.8L IS USM Z, along with a brand new ...

Canon Australia has unveiled three new additions to its RF series of hybrid lenses – the RF 70-200mm F2.8L IS USM Z, RF 50mm ...

Canon introduces three new hybrid RF L series lenses designed for seamless photography and video. Available soon, these ...

New Canon hybrid 70-200mm telephoto zoom lens aims to please both professional photographers and videographers ...

The RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are part of Canon's new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.

The edges are excellent from f/2.8 to f/11 and very good at f/16 and f/22. At 35mm, central sharpness is excellent from f/2.8 to f/16 and very good at f/22. The edges are excellent from f/2.8 to f ...