The ultra-wide Canon RF 24mm f/1.4L VCM hybrid lens completes its trio of super-fast prime lenses for stills and video ...

The RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are part of Canon's new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.

They join two existing lenses in the lineup, the RF 35mm f/1.4L VCM and RF 24-105mm f/2.8L IS USM Z, along with a brand new ...

Vignetting is visible, particularly wide open, but soon reduces to more modest levels and from f/4 onwards is very acceptable for a 24mm lens.

To get the perfect shot of the northern lights, you're going to have to ditch your digital camera's automated settings.

Correction in camera or in software can be used to minimise this. Chromatic aberration (CA) is the lens' inability to focus on the sensor or film all colours of visible light at the same point.

Canon is presenting a colorful bouquet of new RF lenses, including two fixed focal lengths with 24 and 50 millimeters, a ...

The RF 24mm F1.4L VCM delivers smooth, low-light performance with minimal focus breathing, designed for hybrid shooting needs.

Canon has announced three new additions to its RF series of hybrid lenses.

Canon adds three RF lenses to its EOS R system, expanding its hybrid range even further for video and stills creators ...

making it almost perfect as an all-in-one event lens for both stills and video. Some users may lament the lack of 24mm reach rather than 28mm, whilst others may bemoan the near 1kg weight, but Sigma ...