They join two existing lenses in the lineup, the RF 35mm f/1.4L VCM and RF 24-105mm f/2.8L IS USM Z, along with a brand new ...
EF 16-35mm f/2.8L III lens + Adapter (Beta Sample) at 35mm, f/2.8, 1/1000s, ISO 100. Video, too, is an area where the Canon EOS R does quite well, but there's sadly nothing ground-breaking here.
Canon’s new 3D lens has an aperture range of f/4.0 to f/16, supports autofocus, and features a button and a control wheel for ...
(The above crop of our far-field house shot was taken with Canon's very sharp 16-35mm f/2.8L II USM lens at f/8, as the 28-135mm kit lens is somewhat soft.) Edge enhancement creates the illusion ...
The edges are excellent from f/4 through to f/11, very good at f/16 and fair at f/22. At 35mm, central sharpness ... overall result and clearly, the lens can be expected to deliver the highest ...
Canon's new stereoscopic RF-S7.8mm F4 STM DUAL camera lens for spatial video recording recently became available for ...
In a teaser, the camera giant posted a picture (above) of its two existing hybrid lenses, the Canon RF 24-105mm F2.8L IS USM Z (launched in November 2023) and Canon RF 35mm F1.4L VCM (of June 2024 ...
[Dan K] had just such a lens from Sigma, but wanted to get it working fully with a camera using the Canon EF lens fitting. Hacking ensued. The lens in question was a Sigma 15-30mm f/3.5-4.5 EX DG ...
The RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are part of Canon's new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.
At 15mm, central sharpness is outstanding at f/2.8 and f/4, excellent from f/5.6 to f/16 and very good ... 47% at 28mm and +1.54% at 35mm. Traditionally, wide-angle lenses would show barrel ...
The lenses come with interchangeable Arri PL and Canon EF lens mounts ... The Arles prime lenses also boast 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions ...
The Canon RF 50mm f/1.4L VCM employs separate USM and Voice Coil Motors, with the VCM driving heavier groups of glass ...