prints from Pakistan’ at the National Art Gallery, showcasing a unique fusion of traditional Japanese woodblock printing with Pakistani artistic sensibilities. The exhibition, which would run ...
ABSTRACT: We examine the personal, historical, and political contexts of Toshi Yoshida’s woodblock print, Kami no Mori (“Sacred Grove”), 1941, and argue that it is best understood and appreciated from ...
The exhibition introduces the diverse and imaginative depictions of Yokai throughout Japanese history, from traditional woodblock prints to contemporary interpretations through picture scrolls, ...