Nelligan’s works are subdued in size, offering intimate windows into the landscape. Yet they refrain from orienting the viewer. Portions of the island are skewed or abstracted. In “Toward Manset” ...
The fair skinned man looks over his right shoulder toward the viewer with soft dark eyes, short dark hair with thin beard and moustache. The face is the most defined part of this self portrait of the ...
The painting of a man wearing a tuxedo standing in front of a light gray wall. The left arm is bent at waist level, the hand holds a small white object between the fingers. The right arm is bent in a ...