Join us for a conversation on Neoclassical art from the French Revolution to learn why, during a period of Enlightenment ...

The Art Institute of Chicago is pleased to offer free, unrestricted use of over 50,000 images of works in the collection believed to be in the public domain or to which the museum otherwise waives any ...

The governing body for both the museum and the School of the Art Institute of Chicago, the Board of Trustees is a group of highly dedicated individuals who bring their wide-ranging expertise to ensure ...

Discover the defining features of Neoclassicism in this exploration of the origins and characteristics of the “new classical” style that dominated Europe, especially France, in the late-18th century.

Admission is free for Illinois residents on the dates listed below. You can reserve your free tickets online in advance; your resident status will be verified using the zip code associated with the ...

A pupil of Jacob van Ruisdael, Meindert Hobbema often borrowed motifs from his teacher, such as the watermill seen here. Watermills, which Hobbema employed more than 30 times in his paintings and ...

Japanese aristocrats engaged in the elegant custom of recollecting classical poetry while viewing spring and autumn foliage. In these delicate screens, premier court painter Tosa Mitsuoki meditated on ...

Pablo Picasso made The Old Guitarist while working in Barcelona. In the paintings of his Blue Period (1901-04), the artist restricted himself to a cold, monochromatic blue palette, flattened forms, ...

A lone peasant girl pauses her work to listen to a lark singing in the distance. Her emotional response to this moment of natural beauty is accentuated by the glow of the sun rising behind her, ...

Claude Monet began this canvas—one of three of the Petite Creuse—in April 1889 but only returned to it later that spring, by which time the landscape had changed considerably. The oak tree, for ...

The Neoclassicism of the sculptors Harriet Hosmer and Randolph Rogers was replaced in the second half of the 19th century by the more realistic naturalism of French-trained sculptors such as Lorado ...

This young woman, with her sidelong glance and the ambiguous lift at the corner of her mouth, exemplifies the playful nature of Rembrandt van Rijn’s character studies, called tronies, as well as his ...