The ultra-wide Canon RF 24mm f/1.4L VCM hybrid lens completes its trio of super-fast prime lenses for stills and video ...

The RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are part of Canon's new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.

The 24mm is a lens that performs very well when stopped down, let down a little by being relatively soft at wider apertures, but nonetheless, a lens that is capable of producing high-quality results.

They join two existing lenses in the lineup, the RF 35mm f/1.4L VCM and RF 24-105mm f/2.8L IS USM Z, along with a brand new ...

The RF 24mm F1.4L VCM delivers smooth, low-light performance with minimal focus breathing, designed for hybrid shooting needs.

This camcorder is easy to use and good for general purpose video. It is suitable for recording class presentations, video interviews, promos and skits, foreign-language projects, and many other ...

To get the perfect shot of the northern lights, you're going to have to ditch your digital camera's automated settings.

Fancy a new perspective and flying a drone? Angela Nicholson runs through the best drones with cameras you can buy. The post ...

The taller the column, the better the lens performance. CA (Chromatic Aberration) is measured with any in-camera corrections switched off, as far as we can know anyway. Centrally there is no ...

Canon has announced three new additions to its RF series of hybrid lenses.

Were you hoping that Canon would make black teleconverters, to match its new black 70-200mm f/2.8? Sorry, you're out of luck ...

Canon is presenting a colorful bouquet of new RF lenses, including two fixed focal lengths with 24 and 50 millimeters, a ...