prints from Pakistan’ at the National Art Gallery, showcasing a unique fusion of traditional Japanese woodblock printing with Pakistani artistic sensibilities. The exhibition, which would run ...
ABSTRACT: We examine the personal, historical, and political contexts of Toshi Yoshida’s woodblock print, Kami no Mori (“Sacred Grove”), 1941, and argue that it is best understood and appreciated from ...
Rain. You forgot your umbrella. That’s what’s happening in this Japanese woodblock print — only it’s Tokyo (then called Edo), the year is 1857, and we’re crossing the Sumida River.